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We're Staten Island based, not a Long Island catering-hall regular, and we'd rather tell you that than pretend. We come out to Nassau and Suffolk for particular rooms — here's which we've played, which are booked, and how travelling in actually works.
Most Long Island DJ sites will tell you they're everywhere. We'd rather be useful than impressive. The bulk of our work is Staten Island and New Jersey — 111 events across forty Staten Island rooms, and another twenty-four across Monmouth County.
Long Island is a place we travel to, for particular rooms. In Nassau we have played Stewart Manor Country Club in Garden City twice, Sands Point Preserve and Hendrick's Tavern in Roslyn, and we have a wedding booked at Fox Hollow in Woodbury that we have not played yet. Out in Suffolk we've played Captain Bill's in Bay Shore, with The Piermont in Babylon booked but not yet played.
If what you want is a DJ who is in a Long Island catering hall fifty Saturdays a year, that isn't us, and there are good ones who are. If you're getting married in one of the rooms above, or you've been sent here by someone we worked for, that's a different conversation — we know those rooms and we'd like the date.
Nassau does a particular kind of wedding extremely well, and it runs to the minute. Cocktail hour is frequently its own room with its own sound. The introductions are a set piece, not a casual walk-in. The kitchen, not the DJ, drives the timeline.
A DJ who fights that schedule creates chaos. One who simply obeys it makes the night feel like a conveyor belt. The work is in knowing which moments are fixed and which are yours — and coordinating with the maitre d' in advance rather than reading the room's schedule off a printed card at six o'clock.
Sands Point and the waterfront clubs put ceremonies outside, and open air has nothing to reflect off. A system that fills a ballroom sounds thin on a lawn, and wind off the Sound moves your vows away from the back rows. Outdoor ceremonies get their own speakers and their own operator, never one carried over between songs.
It's about forty-five minutes to an hour from us, depending on the bridge and the hour. Practically, three things follow:
Yes, across both Nassau and Suffolk — but we'd rather be straight with you about how. We're based on Staten Island and the bulk of our work is there and in New Jersey. We come out to Long Island for particular rooms. We have played Stewart Manor Country Club in Garden City, Sands Point Preserve, Hendrick's Tavern in Roslyn and Captain Bill's in Bay Shore, and we have weddings booked at Fox Hollow in Woodbury and The Piermont in Babylon that we have not played yet. If you want a DJ who's in a Long Island catering hall every weekend, there are good ones out there and we'll happily say so.
Travel is built into the quote up front rather than added later. You see the whole number in writing before you commit, and it doesn't change on the day.
The format is tighter and it's run to the minute. Cocktail hour is often a separate room with its own sound, the introductions are a set piece, and the kitchen drives the timeline. A DJ who fights that schedule creates chaos; one who simply obeys it makes the night feel like a conveyor belt. The job is to work with the maitre d' rather than against them.
Yes, with its own system and its own operator. Ceremony audio is a different job from reception audio, and outdoors on the North Shore it's a different job again — open air has nothing to reflect off.
If you're outside Nassau, these are the areas we're in every weekend.
“Unless food was on the table the dance floor was full.”
Harold & Jacklyn PriggeSend your venue and date and we'll confirm availability, travel and what your room actually needs.
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